“ON AIR:MK” – Live Sessions Of ‘Basement Music’
Review by MMT.
Basement Music on MySpace
Basement Music on Facebook
We’ll get to the other reasons to buy a copy of “On Air:MK” in a minute, but #1 and surely the Main Reason – it’s a really good compilation by a load of MK acts! Musak technology has improved to the point where it’s actually reassuringly easy to get together a collection of local band recordings these days – but that doesn’t always mean they’re going to be good collections!
But this 21-track extravaganza, culled from roughly a billion live sessions (give or take) recorded by DJ Michael Andrews and his team over the first year-and-a-bit of his “Basement Music” show on CRMK? This is good. So that’s reason enough alone – from the opening clatter of “Crash & Burn” by the excellent SuperMassiveMonkeyMen via the rolling “The Call” by City By Dawn to the scattergun rap of Soul which closes the CD – it’s a great mix of the sorts of bands they have on every single flippin' week!
People are downright sick of me & Phil banging on about the great local acts we see all over the place at acoustic open mics, full on gig gigs and all sorts of super festivals in town, so it’s a pleasure to hear so many of the performers we enthuse over collected together by someone else who appreciates them: people like Seeking Salvation Through Love, Isabelle, and YC Olie are familiar treats to us by now. But there’s new stuff here too, bands we’ve never heard before. The jaunty but tuneful “Gangsters” by Idoltribe is one of the best tracks featured, I’ll definitely be looking out for them on the local circuit now. Likewise Beds act Embrace The City, whose full electric sound doesn’t lose any energy in this acoustic translation.
One of the things I like best about the compilation is that they’ve left in some of the rawness of the sessions. Several of the tracks open with the artist’s own introduction from the show, and on occasion we hear DJ Michael himself chatting with the acts. So it may be a bit rough round the edges, but that’s all part of the ‘live session’ charm. Having said that, several of the bands manage to create a full sound despite the tinyness of the CRMK studios (the excellent dance act Dusque especially).
Though not every single track is necessarily My Cup Of Tea, it’s also a nice mix of genres – though there is a lot of acoustic stuff (due to the nature of the studio) it covers lots of differing flavours therein (folky, soulful, lo-fi, poppy, rocky), and there’s also dancier sounds (hip-hop n’ scratching from Soul & DJ Kraze1 and funky grooves: Dusque again). And some of the acts do something a little different from their usual work – there’s a beautiful ukulele version of “Old Rosie” by Dudebox regular, the artist formerly known as Project Wolverine.
Reason #2. Though we absolutely and loyally support Basement Music and all who sail in her, we’re just not able listen every week. It’s a crying shame given how much work Michael does for local music – and so if you, like us, can’t listen to every single show, buy this instead! Use it as a handy compendium of all the great stuff you’ve missed!
Reason #3. It’s for charity. And a charity close to home to some of the people involved in the compilation too (Pancreatic Cancer Research Fund). And that’s a reason you really can’t argue with. Dig deep. And rock on.
Showing posts with label Dusque. Show all posts
Showing posts with label Dusque. Show all posts
Monday, 25 April 2011
Friday, 18 March 2011
CELLARTAPES
The Cellartapes Experience
(Reviewer - MMT)
There’s something infinitely mysterious about the Cellartapes label. Or maybe it’s just that my ordered librarian’s mind seeks always to define and classify – Cellartapes seem to defy definition, and that’s what I find so perversely intriguing about them. A superlative example of how groups of creative minds can come together via the Internet and create whole scenes under their own steam – in Cellartapes’ case a brilliant batch of electronica, dance, ambient, trance, jam-band and other types of music I don’t even have the vocabulary to describe.
Anyway, the many and various acts signed (well, maybe signed isn’t the right word. They’re more mysterious than that!) - affiliated to the Cellartapes label can all be seen at their page on the ReverbNation site. Which I must admit is also a site I find very mysterious! Kind of an alternative MySpace which is also able to compile local download charts… now that does interest my librarian’s mind.
OTL, described as “the producer and technical studio dogsbody at the centre of operations” is a character we know pretty well from Real Life™. But that’s about as much as we do know. Though if you’ve been beautiful and shrewd enough to buy yourself a copy of the latest “Monkey Kettle & Friends Rock” compilation CD, you might already be familiar with Invisible Rhino's “Charge Consumer”. Invisible Rhino describe themselves as making “Dancing Upside-down Music”. Which is about right. Bouncy, atmospheric mood dance. “In Imitation Of Our Better Selves” is a particularly good example, evolving into a squelchy track that’s almost industrial at times. “Credit Card Or Bust” is even stompier.
Mucky Badger has possibly the best name among the Cellartapes artists, and my favourite track by him / them has probably the best track name too: “Billie Moo Moos Again” – presumably referring to the lowing noise which drifts in and out over the jittery rhythm and cartoon chattering. While Stasis looks like it’s another name under which OTL himself records, this time in a much more ambient / dreamlike mode – and one which I enjoyed in particular, the moody “Ducks Of Midnight” a particular standout. And it would appear The Ninth Tentacle is also OTL (though you never know!!), here in ongoing dancey jams featuring spiralling electric guitars (such as “i believe in milko” (the title a subtle “Home & Away” reference I think!) and the excellently atmospheric “Developing Fluid”) – maybe the best place to start for those people who like guitars!
Definitely a band in their own right – because we’ve seen them play live several times! – are Dusque, who are a groovy synthy outfit with punchy rhythms and a summery vibe. If you ever get the chance to check them out live, you definitely should.
Some of the acts do appear to be based further afield, Alex Final who makes off-kilter blocks of robot poetry appears to be from California; Coccinella’s trancey synths are from the Netherlands; while Bachuus looks like he’s from Denmark and records the sort of laid-back stuff that someone like me who doesn’t listen to enough of this sort of stuff might call “chillwave”. But maybe this is all recorded in Emerson Valley, who knows?
So, some of the above artists may or may not be the same people. Or some of the same people in different combinations. Or some different people under the same pseudonyms, for that matter. We just don’t know. That's how mysterious the whole Cellartapes affair is, and y’know what? That’s the way I like it. The only real answers are the tracks – which are smashing. Come on in.
(Reviewer - MMT)
There’s something infinitely mysterious about the Cellartapes label. Or maybe it’s just that my ordered librarian’s mind seeks always to define and classify – Cellartapes seem to defy definition, and that’s what I find so perversely intriguing about them. A superlative example of how groups of creative minds can come together via the Internet and create whole scenes under their own steam – in Cellartapes’ case a brilliant batch of electronica, dance, ambient, trance, jam-band and other types of music I don’t even have the vocabulary to describe.
Anyway, the many and various acts signed (well, maybe signed isn’t the right word. They’re more mysterious than that!) - affiliated to the Cellartapes label can all be seen at their page on the ReverbNation site. Which I must admit is also a site I find very mysterious! Kind of an alternative MySpace which is also able to compile local download charts… now that does interest my librarian’s mind.
OTL, described as “the producer and technical studio dogsbody at the centre of operations” is a character we know pretty well from Real Life™. But that’s about as much as we do know. Though if you’ve been beautiful and shrewd enough to buy yourself a copy of the latest “Monkey Kettle & Friends Rock” compilation CD, you might already be familiar with Invisible Rhino's “Charge Consumer”. Invisible Rhino describe themselves as making “Dancing Upside-down Music”. Which is about right. Bouncy, atmospheric mood dance. “In Imitation Of Our Better Selves” is a particularly good example, evolving into a squelchy track that’s almost industrial at times. “Credit Card Or Bust” is even stompier.
Mucky Badger has possibly the best name among the Cellartapes artists, and my favourite track by him / them has probably the best track name too: “Billie Moo Moos Again” – presumably referring to the lowing noise which drifts in and out over the jittery rhythm and cartoon chattering. While Stasis looks like it’s another name under which OTL himself records, this time in a much more ambient / dreamlike mode – and one which I enjoyed in particular, the moody “Ducks Of Midnight” a particular standout. And it would appear The Ninth Tentacle is also OTL (though you never know!!), here in ongoing dancey jams featuring spiralling electric guitars (such as “i believe in milko” (the title a subtle “Home & Away” reference I think!) and the excellently atmospheric “Developing Fluid”) – maybe the best place to start for those people who like guitars!
Definitely a band in their own right – because we’ve seen them play live several times! – are Dusque, who are a groovy synthy outfit with punchy rhythms and a summery vibe. If you ever get the chance to check them out live, you definitely should.
Some of the acts do appear to be based further afield, Alex Final who makes off-kilter blocks of robot poetry appears to be from California; Coccinella’s trancey synths are from the Netherlands; while Bachuus looks like he’s from Denmark and records the sort of laid-back stuff that someone like me who doesn’t listen to enough of this sort of stuff might call “chillwave”. But maybe this is all recorded in Emerson Valley, who knows?
So, some of the above artists may or may not be the same people. Or some of the same people in different combinations. Or some different people under the same pseudonyms, for that matter. We just don’t know. That's how mysterious the whole Cellartapes affair is, and y’know what? That’s the way I like it. The only real answers are the tracks – which are smashing. Come on in.
Friday, 29 October 2010
BASEMENT MUSIC
"Basement Music On CRMK", or "A Short Article About Something Really Great"
Words by: Phil W.
Back in January 2010, I attended a small launch party for a new show on Milton Keynes's internet based local radio station CRMK. The show was Basement Music, the brain-child of budding radio DJ Michael Andrews. The Concept: to promote original local music from all over Milton Keynes, covering all genres. Every week he'd get a different act in the studio, interview them and get them to play a few songs... and in-between he'd play nothing but music recorded by Milton Keynes bands and artists, and talk about and plug everything from open mic's to gigs at the Sno!Bar. It’s a home-grown Milton Keynes story of a passion for local music, rather like CRMK itself.
CRMK (Cable Radio Milton Keynes) has its roots at the very start of Milton Keynes along with the Milton Keynes TV station. The TV station is long gone but CRMK still struggles along with unpaid DJ’s and local volunteers, and a criminally small listenership. At some point, around the time that local radio began its slow extinction, CRMK was taken over by Horizon. Under Horizon things weren't too bad really but once Heart took over CRMK lost its analogue signal and was only accessible via the internet. The upshot of course is that they can basically broadcast what they like (though if you go on the show you have to try not to swear!). It’s still broadcast from the same studios as it was back in the 80's and stepping inside the small, wood-panelled studio with the huge mixing desk and the red "On Air" lamp is an exciting experience for any aspiring DJ or artist - and the first stop for numerous DJ hopefuls over the years including, from January this year, Michael Andrews.
"The Milton Keynes music scene is so separated into lots of different groups and each one is very insular," commented Michael. "If only we could bring them all together in one place." And that’s pretty much exactly what Basement Music does. Since January over thirty acts have walked through his studio doors including Footswitch, Project Wolverine, Roses & Pirates, Phil Sky, Dusque, Seeking Salvation Through Love, The Further Adventures Of Vodka Boy, Scribe, Bine The Peg and Tombstone Bullets to name a few. When Dusque performed live they arrived an hour before their set and carted their entire arsenal of stage equipment into the tiny studio for a fully plugged in set. This really is a great thing going on. And there's more to come, Michael tells me he's fully booked with acts until January now.
I was in the CRMK studio again in October and have been a regular listener throughout the year. In the 21st century, a show like Basement Music is a more relevant thing than ever before. Macbooks have given every aspiring artist studio-quality recordings and across the board the standard of the tracks Michael plays is universally good. And there really is something to be said for the diversity of the Milton Keynes music scene, even if it can be a little insular. There’s something about this being a new city - that so many different groups of people have come together relatively recently into one place that gives Milton Keynes such a thriving arts scene, music included. In a world where bands big and small are more and more frequently going it alone, free of the record labels, an independent radio station like this just makes sense. Never before have so many high quality recordings been available to capture a thriving local music scene.
But despite this, The Man is always lurking round the corner. Rumour has it that Heart FM, CRMK's current owners, would like to close the studio down, ending the last bastion of local, independent radio in Milton Keynes. And to lose it really would be a sad thing. If you're in a band, it’s unlikely you'd be able to get your song played on Heart, let along drop in the studio and play a live set.
So if you can find the time, tune in to Basement Music, 7:30 till 9 every Thursday evening and support local music and local radio.
Words by: Phil W.
Back in January 2010, I attended a small launch party for a new show on Milton Keynes's internet based local radio station CRMK. The show was Basement Music, the brain-child of budding radio DJ Michael Andrews. The Concept: to promote original local music from all over Milton Keynes, covering all genres. Every week he'd get a different act in the studio, interview them and get them to play a few songs... and in-between he'd play nothing but music recorded by Milton Keynes bands and artists, and talk about and plug everything from open mic's to gigs at the Sno!Bar. It’s a home-grown Milton Keynes story of a passion for local music, rather like CRMK itself.
CRMK (Cable Radio Milton Keynes) has its roots at the very start of Milton Keynes along with the Milton Keynes TV station. The TV station is long gone but CRMK still struggles along with unpaid DJ’s and local volunteers, and a criminally small listenership. At some point, around the time that local radio began its slow extinction, CRMK was taken over by Horizon. Under Horizon things weren't too bad really but once Heart took over CRMK lost its analogue signal and was only accessible via the internet. The upshot of course is that they can basically broadcast what they like (though if you go on the show you have to try not to swear!). It’s still broadcast from the same studios as it was back in the 80's and stepping inside the small, wood-panelled studio with the huge mixing desk and the red "On Air" lamp is an exciting experience for any aspiring DJ or artist - and the first stop for numerous DJ hopefuls over the years including, from January this year, Michael Andrews.
"The Milton Keynes music scene is so separated into lots of different groups and each one is very insular," commented Michael. "If only we could bring them all together in one place." And that’s pretty much exactly what Basement Music does. Since January over thirty acts have walked through his studio doors including Footswitch, Project Wolverine, Roses & Pirates, Phil Sky, Dusque, Seeking Salvation Through Love, The Further Adventures Of Vodka Boy, Scribe, Bine The Peg and Tombstone Bullets to name a few. When Dusque performed live they arrived an hour before their set and carted their entire arsenal of stage equipment into the tiny studio for a fully plugged in set. This really is a great thing going on. And there's more to come, Michael tells me he's fully booked with acts until January now.
I was in the CRMK studio again in October and have been a regular listener throughout the year. In the 21st century, a show like Basement Music is a more relevant thing than ever before. Macbooks have given every aspiring artist studio-quality recordings and across the board the standard of the tracks Michael plays is universally good. And there really is something to be said for the diversity of the Milton Keynes music scene, even if it can be a little insular. There’s something about this being a new city - that so many different groups of people have come together relatively recently into one place that gives Milton Keynes such a thriving arts scene, music included. In a world where bands big and small are more and more frequently going it alone, free of the record labels, an independent radio station like this just makes sense. Never before have so many high quality recordings been available to capture a thriving local music scene.
But despite this, The Man is always lurking round the corner. Rumour has it that Heart FM, CRMK's current owners, would like to close the studio down, ending the last bastion of local, independent radio in Milton Keynes. And to lose it really would be a sad thing. If you're in a band, it’s unlikely you'd be able to get your song played on Heart, let along drop in the studio and play a live set.
So if you can find the time, tune in to Basement Music, 7:30 till 9 every Thursday evening and support local music and local radio.
Saturday, 29 August 2009
Dudebox "Track Of The Summer"
Reviewers: MMT & Phil.
Well, it’s been a quiet old Summer here on The Dudebox, but we’re back now – and planning on having a busy Autumn! Phil’s got tickets to plenty of national gigs, we’re hoping to get to far more local bands’ stuff, and there’ll be more reviews from under my bed too! So… what better way to kick things off than to have another of our regular looks at the best new(ish) tracks from the MySpaces of the Milton Keynes talent!
Sadly Re-Writing Destiny - who we dished out the coveted Dudebox Runner-Up Track Of The Winter gong to just a few short months ago – have split up, brilliantly citing “musical indifferences” as one of the reasons. Still, they were one of the better bands we’ve heard this year, so we listened to newish track “Coming Home” in tribute.
P: “I think they’re great.”
M: “Although we never saw them live, sadly. There’s a pattern to when bands break up, isn’t there? There’s a peak in the likelihood when I guess they’re 17, 18 and University calls, that’s the biggest peak. Then there’s probably a peak in their early 20s when they’ve all decided they don’t wanna do it any more, there’s probably another peak when people start getting married and having kids. And then if you get past all those hurdles, you’re good for life! And you can just carry on until you’re old.”
P: “My opinion of the song is clouded a bit by the fact I know it’s a bit like their swansong.”
Then we kicked on with some more local bands who haven't split up yet. Some have been on our radar a while thanks to the MonKeyVision Song Contest and/or the Monkey Kettle Stage at the Waterside Festival, some are totally new to us. Hope you might find something you like…
“HMW” by Dusque
M: “They were so great at the Waterside, that was one of the best sets of the weekend.”
P: "They were. It was an early set, so there wasn’t really anyone to watch them. But they were SO good. And I’m enjoying this now, but I preferred it live.”
M: “It’s good outdoors… festival… it’s mellow, and it’s…”
P: “They’re seasoned musicians.”
M: “This bit now is the kind of stuff I like… like ravey keyboard. I’m at a Trance Tent in Ibiza. And the sun’s rising. I’m in the Chill Zone.”
“No Place Like Rome” by Embrace The Tide
M: “Their singer is Chris Weaver who was in one of our Ludamus plays a few years ago (‘Zombies The Musical’). He’s got a few more tattoos in the meantime, of course.”
P: “Maybe if he’d never done ‘Zombies’ he’d never have ended up here.”
M: “Yeah, I did him a ‘Lead Singer Workshop’ as part of the rehearsals for that.”
P: “Some of these MySpaces look so professional…”
M: “And again, they’re really tight musically when you think of how young they still are.”
“Tap Out” by The Kranx
P: “He’s got a really good voice.”
M: “I know a lot of our mates really liked them at MonKeyVision, didn’t they? (reads from their MySpace) ‘it’d be sick to see you at one of our gigs’. I’m guessing sick means good in the young person’s vernacular…”
P: “They went down really well. A really energetic performance.”
“Recluse” (demo version) by Joshua Timmins & The Newborns
M: “What I… like about him is he seems to still embody that ‘I’ll just take my guitar and do a gig anywhere’ kind of spirit. You can imagine him with his guitar just going anywhere.”
P: “I like that, definitely. He’s got a nice easiness in front of the audience that I kind of envy. And there’s something about this song, and his songs… that he’s always REACHING for something.”
M: “There’s a crack in his voice a bit like Conor Oberst from Bright Eyes, but it’s kind of what makes what he’s singing work. And cos he’s young he’s good at all this technical stuff, look… he’s got a Twitter built into his MySpace.”
“Scar On An Empty Crusade” by Stabbed By Paranoia
M: “What really touched me about them was… not only have they got embedded YouTube footage of them practicing at school, but their Blog from July says ‘we’re still working on new material to complete our set. We have 3 songs and a 4th one nearly finished. We plan to make a 5th song after which will complete our set. so we can go book gigs!’”
P: “I like it. I like the complicated solo, they’re very technically proficient.”
M: “Fair play to ‘em. We should re-visit them when they’ve finished their 5th song.”
“Missing Helstone (Economy Groove)” by Harassing Anna
P: “I thought they played really well at MonKeyVision.”
M: “I think I like the spin-off acts (Tombstone Bullets and Bine The Peg) just as much though. But I like this track particularly, where they sound a little bit bluesy.”
P: “There’s something very retro about it. But I’d like it in a pub atmosphere, after a few pints.”
“Wolves” by Acacia Close
(during the first thirty seconds: Phil laughs in immediate response at the intensity of these 2008 Pitz Band Blitz winners, then both are silent. Then they read the advert for a new guitarist / singer. Phil decides not to apply. Then the song changes, gets less screamy, and they start enjoying it)
M: “It’s really well produced actually, innit.”
P: “It’s a real professional demo. I’m liking it now, actually. I think I’d really like them live.”
M: “There’s more levels to it than it seemed from the start. I like how from their Biog they seem keen to expand, not be ‘just’ a ‘Pitz Band’.”
P: “I can hear where the new guitarist / singer would fit in there.”
“First Light After” by Altersketch
P: “I thought their song at MonKeyVision was one of the best songs of the night, and it still gets stuck in my head.”
M: “I like this one. It’s more sort of… ‘Dark Indie’.”
P: “It’s Indie but it Rocks.”
“The Disappointment” by Rozism
M: “I’m not sure we can allow this to be track of the season, though it is excellent. But cos she’s from Northampton I don’t think she can ‘count’. Shona recommended her to me, and I think she sounds really impressive.”
P: “I always… when I meet people who are really really good musicians, I just want to hear something that makes me go ‘Wow! Where did that come from?’.”
M: “I love a world where people can make this sort of stuff in their bedrooms. That all across the world, people could be making this sort of stuff in their bedrooms.”
(Phil nods enthusiastically)
RUNNER-UP DUDEBOX TRACK OF THE SEASON
“Find And Replace” by Equinox
M: “They really really impressed me at the Waterside. They’re still really young, but I think their songwriting is deceptively mature. I mean, they’re clearly influenced by, like… Muse… Franz Ferdinand… The Killers…”
P: “They are, but there’s more than that. Seeing them live, I thought there was a lot of different stuff going on.”
M: “Their demo CD which was being handed round at the Waterside is one of the best local demos I’ve heard in the last couple of years, for definite. And they brought the biggest audience too, that was really impressive. Made us look good.”
P: “I like this a lot.”
DUDEBOX TRACK OF THE SEASON
“Cold Baked Beans” by Project Wolverine
M: “Describes himself here as… ‘the Bargain Bucket Billy Bragg’.”
P: “I really like this an awful lot. I think it’s great. It’s funny… I like the guitar work… the vocals are really good.”
M: “I like the lyrics. I can see the Billy Bragg comparison. I’d love to see him at The Cannon on a Thursday night. I think he’d go down really well. “Pub Politics” is a good song as well.”
P: “I like the fact it’s all a little bit punky too.”
M: "Good skills. He's the winner."
Well, it’s been a quiet old Summer here on The Dudebox, but we’re back now – and planning on having a busy Autumn! Phil’s got tickets to plenty of national gigs, we’re hoping to get to far more local bands’ stuff, and there’ll be more reviews from under my bed too! So… what better way to kick things off than to have another of our regular looks at the best new(ish) tracks from the MySpaces of the Milton Keynes talent!
Sadly Re-Writing Destiny - who we dished out the coveted Dudebox Runner-Up Track Of The Winter gong to just a few short months ago – have split up, brilliantly citing “musical indifferences” as one of the reasons. Still, they were one of the better bands we’ve heard this year, so we listened to newish track “Coming Home” in tribute.
P: “I think they’re great.”
M: “Although we never saw them live, sadly. There’s a pattern to when bands break up, isn’t there? There’s a peak in the likelihood when I guess they’re 17, 18 and University calls, that’s the biggest peak. Then there’s probably a peak in their early 20s when they’ve all decided they don’t wanna do it any more, there’s probably another peak when people start getting married and having kids. And then if you get past all those hurdles, you’re good for life! And you can just carry on until you’re old.”
P: “My opinion of the song is clouded a bit by the fact I know it’s a bit like their swansong.”
Then we kicked on with some more local bands who haven't split up yet. Some have been on our radar a while thanks to the MonKeyVision Song Contest and/or the Monkey Kettle Stage at the Waterside Festival, some are totally new to us. Hope you might find something you like…
“HMW” by Dusque
M: “They were so great at the Waterside, that was one of the best sets of the weekend.”
P: "They were. It was an early set, so there wasn’t really anyone to watch them. But they were SO good. And I’m enjoying this now, but I preferred it live.”
M: “It’s good outdoors… festival… it’s mellow, and it’s…”
P: “They’re seasoned musicians.”
M: “This bit now is the kind of stuff I like… like ravey keyboard. I’m at a Trance Tent in Ibiza. And the sun’s rising. I’m in the Chill Zone.”
“No Place Like Rome” by Embrace The Tide
M: “Their singer is Chris Weaver who was in one of our Ludamus plays a few years ago (‘Zombies The Musical’). He’s got a few more tattoos in the meantime, of course.”
P: “Maybe if he’d never done ‘Zombies’ he’d never have ended up here.”
M: “Yeah, I did him a ‘Lead Singer Workshop’ as part of the rehearsals for that.”
P: “Some of these MySpaces look so professional…”
M: “And again, they’re really tight musically when you think of how young they still are.”
“Tap Out” by The Kranx
P: “He’s got a really good voice.”
M: “I know a lot of our mates really liked them at MonKeyVision, didn’t they? (reads from their MySpace) ‘it’d be sick to see you at one of our gigs’. I’m guessing sick means good in the young person’s vernacular…”
P: “They went down really well. A really energetic performance.”
“Recluse” (demo version) by Joshua Timmins & The Newborns
M: “What I… like about him is he seems to still embody that ‘I’ll just take my guitar and do a gig anywhere’ kind of spirit. You can imagine him with his guitar just going anywhere.”
P: “I like that, definitely. He’s got a nice easiness in front of the audience that I kind of envy. And there’s something about this song, and his songs… that he’s always REACHING for something.”
M: “There’s a crack in his voice a bit like Conor Oberst from Bright Eyes, but it’s kind of what makes what he’s singing work. And cos he’s young he’s good at all this technical stuff, look… he’s got a Twitter built into his MySpace.”
“Scar On An Empty Crusade” by Stabbed By Paranoia
M: “What really touched me about them was… not only have they got embedded YouTube footage of them practicing at school, but their Blog from July says ‘we’re still working on new material to complete our set. We have 3 songs and a 4th one nearly finished. We plan to make a 5th song after which will complete our set. so we can go book gigs!’”
P: “I like it. I like the complicated solo, they’re very technically proficient.”
M: “Fair play to ‘em. We should re-visit them when they’ve finished their 5th song.”
“Missing Helstone (Economy Groove)” by Harassing Anna
P: “I thought they played really well at MonKeyVision.”
M: “I think I like the spin-off acts (Tombstone Bullets and Bine The Peg) just as much though. But I like this track particularly, where they sound a little bit bluesy.”
P: “There’s something very retro about it. But I’d like it in a pub atmosphere, after a few pints.”
“Wolves” by Acacia Close
(during the first thirty seconds: Phil laughs in immediate response at the intensity of these 2008 Pitz Band Blitz winners, then both are silent. Then they read the advert for a new guitarist / singer. Phil decides not to apply. Then the song changes, gets less screamy, and they start enjoying it)
M: “It’s really well produced actually, innit.”
P: “It’s a real professional demo. I’m liking it now, actually. I think I’d really like them live.”
M: “There’s more levels to it than it seemed from the start. I like how from their Biog they seem keen to expand, not be ‘just’ a ‘Pitz Band’.”
P: “I can hear where the new guitarist / singer would fit in there.”
“First Light After” by Altersketch
P: “I thought their song at MonKeyVision was one of the best songs of the night, and it still gets stuck in my head.”
M: “I like this one. It’s more sort of… ‘Dark Indie’.”
P: “It’s Indie but it Rocks.”
“The Disappointment” by Rozism
M: “I’m not sure we can allow this to be track of the season, though it is excellent. But cos she’s from Northampton I don’t think she can ‘count’. Shona recommended her to me, and I think she sounds really impressive.”
P: “I always… when I meet people who are really really good musicians, I just want to hear something that makes me go ‘Wow! Where did that come from?’.”
M: “I love a world where people can make this sort of stuff in their bedrooms. That all across the world, people could be making this sort of stuff in their bedrooms.”
(Phil nods enthusiastically)
RUNNER-UP DUDEBOX TRACK OF THE SEASON
“Find And Replace” by Equinox
M: “They really really impressed me at the Waterside. They’re still really young, but I think their songwriting is deceptively mature. I mean, they’re clearly influenced by, like… Muse… Franz Ferdinand… The Killers…”
P: “They are, but there’s more than that. Seeing them live, I thought there was a lot of different stuff going on.”
M: “Their demo CD which was being handed round at the Waterside is one of the best local demos I’ve heard in the last couple of years, for definite. And they brought the biggest audience too, that was really impressive. Made us look good.”
P: “I like this a lot.”
DUDEBOX TRACK OF THE SEASON
“Cold Baked Beans” by Project Wolverine
M: “Describes himself here as… ‘the Bargain Bucket Billy Bragg’.”
P: “I really like this an awful lot. I think it’s great. It’s funny… I like the guitar work… the vocals are really good.”
M: “I like the lyrics. I can see the Billy Bragg comparison. I’d love to see him at The Cannon on a Thursday night. I think he’d go down really well. “Pub Politics” is a good song as well.”
P: “I like the fact it’s all a little bit punky too.”
M: "Good skills. He's the winner."
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