BASEMENT MUSIC LIVE at The Pitz

Review: MMT.

So, me and Phil were philosophising. About how you can never tell which bands are going to leave a lasting musical legacy and which bands aren’t. If you’d asked me when I was 19 which band from 1994 were going still be influencing teenage bands almost two decades later I wouldn’t have hesitated – Nirvana. Or, at a push, Suede, Blur or the Manics. I certainly wouldn’t have predicted Green Day. And likewise, if you’d told me in the year 2000 that Blink-182 would still be casting a long musical shadow in 2012, I would have laughed you out of town. “Blink-182?  They’re a comedy skate-punk band, surely?  No one takes THEM seriously!”

But you never know. You honestly never know. Who’s to say that Dappy won’t be hailed as a musical visionary in 2030?  Or that the single album by Viva Brother won’t be rated higher than the entire discography of The Strokes in half a lifetime’s time?

Still – none of this is to take away from Sounds & Scenarios. Their lively blend of pop-punk and indie – influenced by the two aforementioned acts! – was a fittingly excellent way to kick off an excellent afternoon’s worth of music at The Pitz for “Basement Music Live” (five acts brought to us by (what we reckon is!) Milton Keynes’ best music radio show). They were one of the best young bands we’ve seen for a while: energetic but catchy – they could develop into something special. Also loved the matching waistcoats!  And their last song, “Prized Possessions” hints at how much more raucous they might be in a night-time gig!

Second up was one of our favourite local acoustic acts: Seeking Salvation Through Love. The high quality of the Pitz sound really showed off how good his voice is – between the songs the pleasingly busy audience were hushed to silence! – and we were even treated to a new song!

While I’m here, I should mention that it’s noteworthy The Pitz are still doing gigs, even on a Sunday afternoon. It may have lost some profile in recent years since the departure of Paul Rivers, but there’s no doubting its credentials as a venue. The lights, the stage, the sound, they’re all still in as great nick as they ever were – even if between the acts the sound guy exclusively plays heavy rock from the years 1989 – 1993. The only thing they’re really lacking is a cash machine. (stares mournfully at empty pint glass)

I’d heard good things from the Basement Music guys about I’m Called George, but never seen them before – though when they opened their set with a Lana Del Rey cover, I must admit I thought “Man, These Will Do Me”! It was a great set throughout, really very impressive – hook-laden pop-rock gelled together by the pounding rhythms of the drummer and the synth layers from the keyboard man – in fact all four musicians are clearly very skilled. Plus they had fans with I’m Called George t-shirts and banners!  That really is the dream, right there!

They’ve got a song – I think it might be called “I Wanna Know Your Name”? – which opens with vocal harmonies, bounces through some classic rock shapes and ends up in an immense synthy middle section which is absolutely captivating. Great stuff, one of the best sets I've seen in 2012.

YC Olie is such a consummate professional, such a safe pair of hands. Again, take nothing away from his performance and his songwriting, but he’s more like a compere than the actual comperes – enthusing about the other bands, thanking all the people that need to be thanked. His love for what he’s doing is infectious, and he can turn his hand to any kind of gig. Those of us who happen to see him play quite a lot are excited to hear some of his newest songs, performed along with a backing track of a ‘full band sound’ which is a very intriguing live twist.

We’ve always believed headliners Isabelle to be one of the most musically accomplished of all local(ish) acts – their summery soul-pop (and do I even detect some smoky jazz flavours today?) is easily good enough to reach a national stage. I’ve seen them a few times now, but one thing which strikes me at this gig is how spot-on the backing vocals (provided by their percussionist and drummer) are. They may come from... shall we say men of a certain vintage?  (like we’re ones to talk!)  ...but they sound like the missing two members of a Motown girl band when they harmonise with lead vocalist Letty. The crowning moment of genius in their set this time is the cover of “Groove Is In The Heart” – a song which I had believed was uncoverable by band bands... till now!

So... a great and variety-filled gig, and a smashing way to spend a Sunday afternoon. All hail Basement Music. See you at the next one!

Dudebox "Track Of The Spring"

I guess this could be the last Dudebox Track Of The Season review in this format – as this year has gone on it’s become more and more apparent that MySpace is well Over. Always a slightly clunky format, it looks like it’s been finally killed off by the twin attack of YouTube and Facebook. I’m finding more and more that new bands haven’t bothered with it, and old bands aren’t updating theirs. So until Facebook allows you to listen to bands’ music without Liking them – or until I decide I’m happy to Like every single band I come across, we might be approaching a Reviewing Impasse!

Still – that doesn’t mean we haven’t got some more great local music for you to listen to right here! Get it while you can!

((As always, I am duty-bound to announce the Disclaimer that none of these bands have asked us to review their music – in fact I’d be surprised if any of them ever realise we’ve done it! – but the point of the matter is to try and shine some lights onto all the corners of this always-surprisingly-large-and-vibrant-and-various local music scene. Break out the cutlery and let’s have some dinner. A dinner of Rock!))

MMT.


“All Burned Out”: KASTAPHOR

Forget MySpace or Facebook - Kastaphor are professional enough to have their own website with music on anyway – they play gigs in London, all over the adjoining counties, and at The Stables! They’ve got that kind of ‘polished’ ‘adult’ vibe, without being dull. Singer Emma has an incredibly soulful voice, there some excellent guitar soloing, and although it’s not really my sort of music it’s unarguably an accomplished song which you can imagine going down perfectly in a smoky rock club.


“Mexican Doom”: VOMIT WHORES

We reviewed Vomit Whores way back in our first ever Dudebox Track Of The Season review a couple of years back, and at the time I wasn’t sure if they might even be a joke band – but this is much better! The kind of queasy funk-edged metal you’d expect from Mike Patton fans, muscular and relentless. A punchy treat that doesn’t take itself too seriously.


“Gangsters”: IDOLTRIBE

We discovered this on DJ Michael’s Basement Music compilation, and for me their session version of this track was the standout track on that CD. It bounces along in an incredibly jaunty semi-acoustic manner, and then when the backing vocals kick in in the chorus you think “blimey, this is something special”. There’s even a bass solo! It’s the sort of song I feel compelled to learn the words to so I can sing / chant drunkenly along to – and I can’t give much higher praise than that!


“Hold Your Own”: KEEPER OF THE RIFLE

This season’s MK Metal Korner! As hairy and intense as you’d imagine, but reassuringly still has a strong sense of melody in amongst the shouting and growling. And as we’ve noted before in these reviews, the local metal bands seem to have no problem whatsoever in producing studio-quality recordings, this could easily be a long-established national band by the sound of this track. Love the solos too. (flicks devil horns)


“Farewell Goodbye”: ROSES AND PIRATES

Another lovely song by the R&P ladeez, our Track Of The Season winners last Summer with “The Rose”. This is altogether more reflective, a gentle lullaby for the end of a long and testing night. You can almost hear the bar staff trying to clear out the audience, who won’t leave till they’ve heard the final beautiful note fade.


“Flaming Sun”: WITHOUT REASON

Surfing the quiet-loud dynamic as well as any local band I’ve heard recently, this mixes beautiful vocal harmonies, a persistent groove from the bass, a casual yet cool solo and occasional full on hard-rock choruses. Another new name to me, but I’m hoping to catch them live very soon. We don’t have enough bands who sound like this.


“Is It Real Yet?”: FALL SHORT FOR GLORY

Some beautifully intricate lead guitar ushers us right into this sugary slice of punk-pop – it feels like a sunny day in FSFG’s world and I’m happy to be in it with them! That spiralling solo effect is almost mesmerising, but the rest of the song is impressive too – melodic, upbeat, well produced and an intriguing first experience of this band for me. I’m keen to hear more.


“Don’t Believe Her Smile”: ISABELLE

One of the most prolific of local bands – I can’t believe they’ve also got time to fit in running the excellent Sno!Bar Open Mic as well as their Leighton Buzzard gigs and social lives! – are back with another new album... and they’re so prolific that thing song isn’t even on it!! I love the keyboard on this – or it could even be an actual organ! Summery, soulful, sumptuous. They can’t miss at this kind of stuff.


RUNNER UP DUDEBOX TRACK OF THE SPRING

“Red, Green, Black”: SOUTH SEA COMPANY

We may have reviewed them last time round as well, but this track especially shows a definite step on since we first heard them. It’s confident, mature (in a good way!) – the bass drives along a slowly building indie-pop gem. This is a really impressive song, indicating not just a good present but a very good future if they’re already at this standard!


DUDEBOX TRACK OF THE SPRING

“Shyrite”: HOUSE OF JOHN PLAYER

Whatever else, it’s the different stuff that I really get excited by! Loops, synths, shuffly beats and vocals drifting between emotionless droning and an emotional falsetto. This is an excellent track – a standout among a bunch of almost-equally as impressive tracks. This dude played at the Sno!Bar a month or two back and I missed it – will be looking out for him in action again though. Hypnotic, a midsummer day’s dream.

SUMMER ROUND-UP - MMT

Review: MMT

Before I get into the “Dudebox Track Of The Summer” review – which is coming soon, Scout’s Honour!! – I’d like to do a round-up of some of the various demo CDs, EPs and fully produced albums (yay!) that have been pressed into my hands (often in exchange for monies or our own CDs) at the gigs, festivals and open mics we’ve been at over the last few months. It’s been another great summer for MK music, and here’s just some of what we’ve been hearing around and about…

* * *

And where better to start than the Sno!Bar? Aficionados of the Milton Keynes Acoustic Open Mic scene will no doubt know all about the Sno!Jam Sunday nights up at the Sno!Bar in the XScape – and if so, I’m sure you’ll already have a copy of their recent collection “The Sounds Of The SNO!Bar (vol.1)” (a compilation of 12 of the regular acts who frequent their open mic night… hmm, gives me an idea!)…

The CD is bookended by tracks by Isabelle, the fabulous five-piece who also act as regular hosts of the Sno!Jam night, as well as putting on gigs down in Leighton Buzzard. And if you’re keen on the kind of laid-back / soulful / summery / folky / heartfelt acoustic singer-songwriting usually on show at any of their nights, you’ll dig this. Featuring Sno!Jam regulars such as Jon Kendall, Robin Grimmer and Social Resin, I think my favourite choon is the shimmering harmonies of “The Man Who Fell Out Of The Moon”, by Isabelle escapees The Trotsky Assortment. Though it’d be a crime to omit a mention of “Girl Nowhere” by the superb (and apparently “hobosexual”!!) Jet Lagged Jeff, another legend of the local open mic world. An impressive collection.

* * *

YC Olie’s “Miss Direction EP” is a surprise. Well, a surprise to us – we’ve only ever seen him at open mics like The Cannon or the above-mentioned Sno!Jam night, where we’ve kind of got used to hearing him delivering confidently tuneful acoustic gems (and his rousing Killers cover!!). But this six-track EP is a totally different kettle of fish – it’s a balls-out fully-electric pop-metal treat!

It’s actually interesting to hear songs we’ve heard played solo live become melodic punky anthems – “Same Old Girl” and “Miss Direction” turning into much bigger, wilder beasts. Bigger, but not necessarily Better, of course. Just Different – cos naturally I like the acoustic versions too! You can hear the occasional influence of genre masters (like Green Day - listed as such under his MySpace Influences) though, and addition of these extra layers, like the buzzsaw guitars of “Anthem For The Broken Hearted” or the handclaps on “Two”, are a revelation. I’m intrigued to see what might be next for this voyage into “full band” territory. Will Olie gather together a full gang of musicians and translate these songs permanently? I think if he did they would make in instant impact on the local scene, such is the joyful catchiness of the tunes. Watch this space, I guess.

* * *

I’d like to include a brief but heartfelt “Ladies From Not Far Outside Milton Keynes” section here too – quick shout-outs therefore to Rozism who came down from Northampton and headlined our July Monkey Kettle Open Mic night. I managed to swap some Monkey Kettle CDs for her “Sketches EP”, which contains several songs from off her MySpace. “Special Brew” is well worth a listen, though her live cover of “Smelly Cat” will live long in the memory. Likewise I should also big up Jammiesammy who came up to MK to play at the Poetry Kapow! at the end of July: there’s a definite buzz growing around her charmingly wry gems – if you’ve got a short attention span check out her anthem “Weirdo-eo”, but if you’ve got any heart you’ll play them all!

* * *

And last, but by no means least - Final Clearance. We finally – after much Dudebox enthusiasm over them in the past – got to see them live when we had them headline our stage (Stage 2 – aka the Monkey Kettle Stage!) at the Great Linford Waterside Festival in June. And I was lucky enough to get not one but two of their CDs – the five track “Window Cleaners Of Amsterdam EP” (2008) and last year’s full debut album "Teenage Dreamland".

I’ve tried a few times in the past to qualify just why I enjoy their sound so much. The best I’ve managed to do till now is: in a local music scene which is predominantly teenage metal acts, acoustic solo artists or ageing blues-rock covers combos, they don’t sound like much else. But let’s unpack that a bit…

They’re an indie-rock band, for sure – but with the added weaponry of piano-keyboard and violins in their arsenal. The violin in particular makes a difference for me – it adds an elegance, an emotion, an urgency to the sound. But the more I listen, the more I’m drawn to Tom Simpson’s voice as well. Rich and deep with the occasional crack of humanity, it totally suits the band’s songwriting, complemented well by the occasional female b/vox. And let’s not forget, they make their own music videos too (see their MySpace) – as far as I’m concerned, that shows they know what it’s all about! ;-)

What makes them equally exciting to listen to on compact disc is the quality of the recordings of those songs. Both CDs were recorded in a “proper” studio (The Lodge Studios in Northampton), and it shows. The sound is rich, well-mixed and allows the songs to come through… the spiralling lead guitar runs on “After The Scream”. The heartaching harmonies and the military rhythms in the middle of “She’s So Pretty”. Great stuff.

The full album (a year on from the EP) is slightly more rounded and mature, as you’d expect. FC have a poppy, occasionally folky sensibility but that doesn’t make them inoffensive. There’s a definite edge to their music and their lyrics which shows through regularly. Phil mentioned once when we were reviewing them before that he could hear a definite “Nineties indie” influence, and that’s not a million miles off. “Stupid Things” for example calls to mind The Wedding Present, of all people. And the piano-led "The Final Word" could almost be intelligent Britpoppers Gene. But better!

Standout tracks for me are the forlorn and beautiful “Circles Round You” (again, the violin! I’m clutching at my heart) and the bouncy “She’s So Pretty” from “Teenage Dreamland”; and “Started A War” and “Naïve Child” from “Window Cleaners…” – this last I absolutely love – it’s fast becoming one of my favourite ever songs by an MK band!

So, then. Final Clearance. I hope the sale goes on and on. Check out their stock as soon as you can. Before the metaphor police come and nab me.

Dudebox "Track Of The Winter / Early Spring"

Yeah yeah yeah. It’s a wee bit late, like a month or something, but hey – we’re busy people! Here’s our semi-usual round-up of some great stuff we’ve blundered across while scouring the MySpaces of the great and good of the Milton Keynes music scene. As always, the bands have not asked us to do this – we’re just doing it to try and bring you some stuff you might like to hear… This time around it's Matthew & Phil on the reviewing 'decks'.


“City Reversal”: SEE WHAT HAPPENS
[[Young guitary indie rock fellas who we saw live at The Cannon back in February]]

Phil: I thought they were really good live. They created a good atmosphere. It was a breath of fresh air that they played all original stuff, I think.
MMT: When we were watching them, me and James were very much put in mind of The Bluetones, that kind of slightly post-Britpop guitar feel. And I remember – admittedly I’d had a few to drink – but I remember really enjoying the guitar solos. You don’t see many proper guitar solos any more. And they were lovely lads, as well. Friendly and enthusiastic about stuff. Which can only be a good thing.
Phil: They’ve got a lot of potential.
MMT: I really like that (makes widdly guitar noise)… is that a “riff”, would you say?
Phil: (slightly unsure) Er… yeah. That’s a riff.
MMT: A “motif”? (reiterates widdly guitar noise)
Phil: Um… I don’t know what the right word is. But it’s nice.


“Fall Away”: THIS CONTRAST KILLS
[[or, what some of Capdown did next]]

MMT: How aware are you of Capdown’s legacy?
Phil: I’m not particularly aware of Capdown’s legacy at all.
MMT: So you’re listening to this with fresh ears?
Phil: Yeah… it’s got a great drive, generally like it.
MMT: I really like this, it sounds intelligent musically. I like the… some kind of keyboard sound in the background is driving it, hard. They sound like they know what they’re doing.
[MMT proceeds to explain Capdown’s legacy to Phil without really knowing that much about it either other than what he’s read in magazines]


“Take Your Chance”: THE MAZE
[[The new band from former members of last Summer’s Indie smashers Equinox]]

Phil: I like that reducing of everything down to just like, a vocal and a bass.
MMT: The recording’s not quite as polished as some of the other bands we’ve heard tonight, but then they’ve only been going a few months.
Phil: There’s still something interesting and innovative about their music.
MMT: I love when the little keyboard/piano riff comes back in.
Phil: Yeah… it’s creative, it’s interesting, and it’s fun.
MMT: This middle bit is brilliant. Listen to that solo!
Phil: It’s like a lot of ideas coming together at once.


“Stop”: ISABELLE
[[Crystal-clear folky rock from a five-piece who recently appeared in one of the first ever Featured Act slots at our all-new Monkey Kettle Open Mic nights]]

MMT: What was good about them at the Open Mic night was that they mixed their own stuff with some really good soul-pop covers from the 60s, drew people in. Obviously this track has a harder edge, because it’s not their acoustic incarnation.
Phil: It rocks! Here they sound much more edgy to me, more interesting. I really like this.
MMT: It’s really tight, really polished.
Phil: It’s good. Very good.
MMT: I bet they’re excellent at festivals. I’d love to see them play Folk on the Green. That’d be an ideal summer’s afternoon!


“Lament”: TESSERACT
[[Now based in London but native to MK, these prog-metallers have toured Europe and are tipped as ones to watch in 2010 by Rock Sound Magazine no less! So I doubt they need our praise, but…]]

Phil: (enthusiastic) Yeah! I really like it. It’s one of the first acts that we’ve reviewed that I would actually think “I would buy this on CD”.
MMT: There’s light and shade. It’s not just relentless metal.
Phil: I like it.
MMT: Their MySpace profile has had over 600,000 views, and they’ve got almost 18,000 Friends. They’re on Scuzz TV. They’ve got upcoming gigs in Russia, Germany, Poland, Switzerland. I think it’s probably ridiculous for us to even consider criticising it in any way, given that they’ve gone way beyond the confines of Milton Keynes and are successful in a world such as we will never know… but I would listen to their album. It’s rare that I would say that about a Metal band from Milton Keynes.


“Day Job”: THE DISCIPLES OF GONZO
[[Ever-popular Bletchley rockers, coming soon to a Monkey Kettle Waterside Stage near you!!]]

MMT: I have Disciples of Gonzo firmly in my head as a ‘good-time’ band.
Phil: They’re the “Cheap Trick” of Milton Keynes.
MMT: I don’t know what that means.
Phil: They were a ‘good-time’ band.
MMT: This is punky pop, though we’ve also seen them play, I dunno, folky acoustic rock? There’s always an energy to them, though.
Phil: They’re playing rock n’ roll music. I totally dig that. And they’re right up my street with the sentiment behind this song.
MMT: You can hear the smiles on their faces.


“Freedom”: SOLSTICE
[[Incredibly long-lived folk-rock leviathans (formed in 1980!) continue to go strong with this joyous choral number]]

Phil: It’s not a genre of music that I’m that into, but it’s perfectly listenable. Perfect for an afternoon slot at a festival.
MMT: I hope they carry on for ever. And there’ll always be a festival somewhere where they’re playing.
Phil: Whether or not I like the music, I get the impression that they love doing it, and they love playing it. They’re living the dream!
MMT: These guys, and in fact This Contrast Kills with their Capdown heritage, and TesseracT too – I think it’s important to celebrate that these bands are successful Milton Keynes bands – not necessarily genres we would listen to on a daily basis, but legitimately big acts that started round these here parts. And maybe don’t get lumped together into the same basket.


“MidgetDayCake (The Song The Audience Named)” : W.A.s
[[When we last saw them - at MonKeyVision – they were brilliantly scrappy teen-punk oiks. However, it sounds like they’re ‘coming of age’, as t’were…]]

MMT: I guess there’s a true story behind the song title! But… it’s completely – it’s almost like a different band.
Phil: It’s really Gothy… it’s like Type O Negative or something. I love the guitar sound.
MMT: I think it’s an incredible vocal. The falsetto there. And I love the way it moves in between slow and fast as well.
Phil: I love the genre-swapping.
MMT: Now this bit’s like punk but through a filter. It feels… genuinely mental.


RUNNER UP DUDEBOX TRACK OF THE SEASON

“Naïve Child“: FINAL CLEARANCE
[[Their second successive Dudebox Track Of The Season Runner-Up track (and it was a very close-run thing) – with some breaking news!]]

MMT: I think it’s criminal how much I’ve liked all the stuff we’ve heard by them on their MySpace etc, but we’ve failed to see them live. I absolutely love this, I think it’s one of the best sounds I’ve heard from a Milton Keynes band. They don’t sound like anything else round here at the moment, that’s what I find so refreshing I think. I love their orchestral flavour as well.
Phil: I agree. Are we allowed to keep praising them every time? I’d really like to see them live. You can list lots of people they sound a bit like, but… they sound like themselves.
MMT: That guitar solo’s great. And also – what’s not to like about a band who make their own videos? They’ve got The Theory in place.
Phil: I really love it.
MMT: We should so go and see them.
Phil: It’s a pact, dude.

[[STOP PRESS – Final Clearance are now confirmed in one of the headline slots for the Monkey Kettle Stage at the Waterside Festival this year – so Matthew & Phil will finally have their dream come true. Bless them!]]


DUDEBOX TRACK OF THE SEASON

“Where Do We Go?”: LECARLA
[[Fast-rising young polished punk-metallers just back from a national tour]]

Phil: It’s great. It’s well-produced, a well-put-together song. They’re tight, they sound great… um… I’m almost sceptical of their very existence!
MMT: Yeah, they’re almost too good to be true! It seems the full package, a really good MySpace, they’re touring nationally…
Phil: They’re all well-written, well-structured songs. They’re very talented kids. I love the big guitar sound… the big, massive guitar sound. The anthemicness of the song. I like the Quiet-Loud dynamic. I like the sparing use of screaming… there’s a little bit of screaming, just to keep you interested…
MMT: - if you like screaming!
Phil: With bands like this and TesseracT I begin to wonder what The Dudebox is about – whether they’re almost too big for us.
MMT: Beyond our radar? Well, they’re still bands connected to Milton Keynes in some way. Like Felix, who aren’t based in MK at all but make me very excited nonetheless. No, if I saw them [Lecarla] on “Scuzz” I’d think… that’s the sort of band I like.
Phil: It just feels fun, and exciting. And it feels like it’s the music they want to be playing.